Fernanda Aoki Navarro is a composer of acoustic and electroacoustic music, developing concert music, intermedia works, performance art and installations. She is interested in sound, space, in the idiosyncratic relationship between the corporeality of the performers and the physicality of their instruments, in the exploration between music and language, the use and misuse of technology, and in the transformational power that experimental music can exert on issues related to feminism and social otherness. Fernanda is also an educator, working as assistant professor of Composition at Arizona State University.
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Rodrigo Meirelles has been working for more than 20 years in the audio industry in various art forms, from music to sound for picture and emerging media. He worked for Globo, one of the largest media companies in the world as the Sound Executive Supervisor and was part of Globo’s UHD research and implementation group, in charge of the Brazilian loudness standard and the implementation of immersive audio technologies such as Dolby Atmos and MPEG-H 3D Audio. He contributed to the first live streaming in Dolby Atmos worldwide and the first Brazilian content mixed in Dolby Atmos released in a movie theatre. He is assistant professor of Sound at the Pointier Film School.
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Jean Howard, a current masters student in the interdisciplinary composition program at Arizona State University with a B.A. in Arts Media and Engineering, has been exploring digital audio technology, electroacoustic music, sound spatialization, and interactive media. Previous works draw on concepts dealing with space and memory, touching on personal experience through sample manipulation/ processing and recording techniques.
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